Juan Jusepe de Ribera, also called Lo Spagnoletto
(Xàtive, 1591- Naples, 1652)
oil on canvas
86 x 68 cm
Saint Roch
EXPERTISE
Luigi Salerno, written communication
Nicola Spinosa (2014)
Claudio Strinati (2015)
Portraits
Annibale Carracci
(Bologna, 1560 – Rome, 1609)
Oil on paper prepared with brown ink, laid down on canvas, 41 x 28.5 cm
Study of a Male Head
Expertise: Erich Schleier (2006), Daniele Benati (2010), Massimo Pirondini (2010)
Giovanni Francesco Barbieri, called Il Guercino
(Cento, c.1591 – Bologna, 1666)
Oil on canvas, 199 x 97 cm
The Persian Sybil
Expertise: Nicholas Turner (2017)
Artemisia: Wrouw & Macht – Rijksmuseum, Twenthe – 26 September 2021 – 23 January 2022.
Giuseppe Maria Crespi, called Lo Spagnolo
(Bologna, 1660-1747)
Oil on canvas, 44.7 x 33.5 cm
Head Study of a Man
Expertise: Daniele Benati (written communication, 2006), Mira Pajes Merriman (written communication, 2007)
Giuseppe Maria Crespi, called Lo Spagnolo
(Bologna, 1660-1747)
Oil on canvas, 45.6 x 34.2 cm
Head Study of a Man with Turban
Expertise: Daniele Benati (written communication, 2006), Mira Pajes Merriman (written communication, 2007)
Hendrick ter Brugghen and Studio
(Deventer, 1588 – Utrecht, 1629)
Oil on canvas, 116 x 85.5 cm
Sleeping Mars
Expertise: Wayne Frantis (2014), Gianni Papi (2019)
Bibliography: The Burlington Magazine 40, April 1922; Nicolson, Hendrick ter Brugghen, London 1985, pp. 75-76, 102, cat. n. A42, tav. 41a; de Jong, De Slapende Mars van Dendrick ter Brugghen, Utrecht 1980, p. 29, nota 16; L.J. Slatkes, W. Franits, The painting of Hendrick ter Brugghen 1588 - 129. Catalogue Raisonné, 2007, p. 147, W13, plate 43a; W. Franits in Lights and Shadows, Caravaggism in Europe, exh. cat. ed by M. di Martino and V. Rossi, Rome 2015, cat. n. 30 pp. 86-87; Papi in Da Artemisia a Hackert. La collezione di un antiquario, exh. catalogue, Reggia di Caserta, Foligno 2019, cat. 26 pp. 56-57.
Pietro Paolini
(Lucca, 1603-1681)
Oil on canvas, 59.4 x 68.5 cm
Portrait of an Artist at her Easel with a Palette and a Vase of Flowers on a Ledge
Pietro Paolini
(Lucca, 1603-1681)
Oil on canvas, 47.5 x 40.5 cm
Portrait of Singer Marcantonio Pasqualini
Expertise: Claudio Strinati (2018), Gianni Papi (2022)
Bartolomeo Cavarozzi
(Viterbo, 1587 – Rome, 1625)
Oil on canvas, 65 x 49 cm
Boy Bitten by a Crab
Expertise: Andrea De Marchi (2015)
Giovanni Battista Gaulli, also called Baciccio
(Genoa, 1639 – Rome, 1709)
Oil on canvas, 87 x 66 cm
Portrait of Eleonora Boncompagni Borghese
Bibliography: Petrucci, Un inedito ritratto di dama del Baciccio, in «Accademia degli Sfaccendati. Atti», 3, 1997, no. 3, p. 39-43; Petrucci, Dieter Graf, M. Fagiolo dell’Arco (curated by), Il Baciccio: Giovan Battista Gaulli, 1639-1709, Milano 1999, p. 88 e 117-118, no. 14, p. 342, no. 116; Petrucci, Ferdinand Voet, detto Ferdinando de’ Ritratti, Roma 2005, p. 79-80, image no. 70; Idem, Bernini pittore: dal disegno al ‘meraviglioso composto’, Roma 2006, p. 293; Idem, Pittura di ritratto a Roma. Il Seicento, Roma 2007, II, p. 318, III, p. 589, image no. 278; Idem, Baciccio, Giovan Battista Gaulli, Roma 2009, p. 426-427, no. A61; Petrucci in Da Artemisia a Hackert. La collezione di un antiquario, exh. catalogue, Reggia di Caserta, Foligno 2019, cat. 23 pp. 48-49
Ariccia, Palazzo Chigi, Giovan Battista Gaulli, Il Baciccio, 11th December 1999 – 12th March 2000, no. 14
Salvator Rosa
(Naples, 1615 - Rome, 1673)
Oil on canvas, 51 x 41 cm
Male Head
Expertise: Ferdinando Bologna (1973), Riccardo Lattuada (oral communication)
Francesco Fracanzano
(Monopoli, 1612 – Naples, 1656)
Oil on canvas, 91 x 112 cm
Reading Philosopher
Bibliography: Spinosa in Il Maestro degli Annunci ai pastori e i pittori del “tremendo impasto” (Napoli 1625-1650), Roma 2021, cat. C9, p. 197
Bernardo Cavallino
(Naples, 1616-1656)
Oil on canvas, 72 x 59 cm
Allegory of Painting
Expertise by Nicola Spinosa (2013)
Bibliography: Lurie Tzeutschler in Bernardo Cavallino of Naples. 1616-1656, catalogo della mostra, Cleveland 1984, p. 182, fig. 66a; Spinosa, Grazie e tenerezza ‘in posa’. Bernardo Cavallino e il suo tempo 1616-1656, Roma 2013, p. 311, n. 45.1; Spinosa in Da Artemisia a Hackert. La collezione di un antiquario, cat. della mostra, Reggia di Caserta, Foligno 2019, cat. 8 pp. 16-17
Massimo Stanzione
(Orta di Atella, c. 1585 – Naples, 1657)
Oil on canvas, 64 x 48 cm
Portrait of a Lady with a Breviary
Expertise: Francesco Petrucci (2012), Erich Schleier (2012), Riccardo Lattuada (2015)
Bibliography: Pacelli, Questioni metodologiche, nuove proposte e qualche puntura sul primo Seicento a Napoli, in "Studi di Storia dell'arte', no. 24, 2013, pp. 222-223; Lights and Shadows: Caravaggism in Europe, exh. cat. ed. by V. Rossi and M. di Martino, exhibition Lampronti Gallery, London, 29 June – 31 July 2015, cat. no. 16, pp. 52-53; Lattuada in Da Artemisia a Hackert. La collezione di un antiquario, cat. della mostra, Reggia di Caserta, Foligno 2019, cat. 4 pp. 8-9
Sebastiano Ceccarini
(Fano, 1703-1783)
Oil on canvas, 97 x 72 cm
Portrait of a Gentleman Holding a Project of Sant’Andrea al Quirinale
Bibliography: Conisbee, Recensione della mostra 'Claude to Gericault: le arti in Francia 1630-1830, in The Burlington Magazine, vol. 1000, luglio 1986, pag. 534, riprodotta fig. 83; Petrucci in Dipinti tra Rococò e Neoclassicismo da Palazzo Chigi ad Ariccia ed altre raccolte, catalogo mostra Cavallino di Lecce, Palazzo Ducale dei Castromediano, 2013, pp. 45-46, fig. 40