Juan Jusepe de Ribera, also called Lo Spagnoletto
(Xàtive, 1591- Naples, 1652)
oil on canvas
86 x 68 cm
Saint Roch
EXPERTISE
Luigi Salerno, written communication
Nicola Spinosa (2014)
Claudio Strinati (2015)
Seicento
Domenico Remps
(active in Florence in the second half of the 17th century)
oil on canvas
100 x 135 cm
Trompe l'oeil of a Glass Cabinet of Curiosities
COMPARATIVE LITERATURE
M.L. D'Otrange Mastai, Illusion in art: Trompe l'oeil, a history of pictorial illusionist, New York, 1975;
A. Giusti in A. Giusti, P. Mazzoni, A. Pampaloni Martelli, Il museo dell'Opificio delle Pietre Dure di Firenze, Milan 1978, pp. 335-336, tav.510;
J.Muylle in Inganni ad arte, meraviglie del Trompe-l'oeil dall'antichità al contemporaneo, exh. cat. ed by A. Giusti, Firenze, Palazzo Strozzi, 16th October 2009-24th January 2010, Florence 2009, pp. 75-80;
M.Betti, C. Brovadan, per il Gran Principe Ferdinando: tre opere del museo dell'Opificio delle Pietre Dure e alcuni cenni sul suo gusto per le "arti minor", in OPD restauro, 24, 2012, pp.263-272
Fede Galizia
(Milan, 1578-1630)
Oil on canvas, 37 x 45.5 cm
Still life with fruit bowl with plums and figs, and two jasmines on a table
LITERATURE
L.Salerno, La natura morta italiana, Rome, 1984, p.60, cat. 15.4
G.Sestieri, Italiana and European Still lives from XVI to XVIII century, exhibition catalogue (29th March - 12th May 1990), Galleria Cesare Lampronti, Rome, 1990, pp. 8-10
Luca Forte
(Naples, 1615- ante 1670)
Oil on canvas, 170.4 x 119.4 cm
A garland of pomegranate, grapes, peaches, corn, figs, lemons, and other fruits and vegetables, with guinea fowls in the foreground
LITERATURE
A. Tecce, in Ritorno al Barocco: Da Caravaggio a Vanvittelli, exhibition catalogue ed. by Nicola Spinosa, Naples, 2009, pp. 366-7
EXHIBITION
Naples, Museo di Capodimonte, Ritorno al Barocco: Da Caravaggio a Vanvitelli, 12th December 2009 - 11th April 2010
Master of the Acquavella Still-Life
(active in Rome, 1615-1640)
Oil on canvas, 95 x 128.5 cm
Still life with apples, pears, and peaches on a plinth with classical motifs
EXPERTISE
Federico Zeri (1998)
Andrea G. De Marchi (2015)
Master of the Acquavella Still-Life
(active in Rome, 1615-1640)
Oil on canvas, 95 x 128.5 cm
Still life with peaches in a wicker basket and a boy
EXPERTISE
Federico Zeri (1998)
Andrea G. De Marchi (2015)
Michelangelo Cerquozzi
(Rome, 1602-1660)
Oil on canvas, 76 x 62.5 cm
Still life with grapes, pumpkin, pomegranates, and artichokes
LITERATURE
G.Sestieri, Italian and European Still Lifes from XVI to XVIII century, exhibition catalogue (29 March-12 May 1990), Galleria Cesare Lampronti, Rome, 1990, pp.30-31
Master of Hartford
(active in Rome from the 1590s to the 1610s)
Oil on canvas, 120 x 167 cm
Still life with Fruit, Vegetables, and a Glass Vase of Flowers on a Table Covered by a Carpet
Expertise: Davide Dotti 2023
Maestro dell’Annuncio ai Pastori
(active in Naples in the second quarter of seventeenth century)
Oil on canvas, diameter 65 cm
Annunciation to the Shepherds
Expertise: Giuseppe Porzio
Antonio Maria Vassallo
(Genoa, c.1620 – Milan, 1664/72)
Oil on canvas, 148 x 200cm
A Cook in her Pantry
Johann Liss
(Oldenburg, 1597 – Verona, 1631)
Oil on canvas, 80.6 x 64.7 cm
Jacob Wrestling with the Angel
Giovanni Battista Langetti
(Genoa, 1625 – Venice, 1676)
Oil on canvas, 96 x 112 cm
Hercules
Bibliography: M. S. Mantovanelli, Giovanni Battista Langetti, il principe dei tenebrosi, 2011, p. 261, fig. 27
Valerio Castello
(Genoa, 1624-1659)
Oil on canvas, 145 x 183 cm
Christ and the Adulterous Woman
Expertise: Anna Orlando (2018)
Gioacchino Assereto
(Genoa, 1600-1650)
Oil on canvas, 121.5 x 95 cm
Ecce Homo
Expertise: Anna Orlando (2004), Mary Newcome Scheiler (2004), Mina Gregori (2008), Giancarlo Sestieri (2008), Camillo Manzitti (2015), Ferdinando Arisi (2015)
Carlo Saraceni
(Venice, 1579-1620)
Oil on canvas, 130 x 106.5 cm
Venus and Cupid
Expertise: Gianni Papi (2022)
Elisabetta Sirani
(Bologna, 1638-1665)
Oil on canvas, 109 x 149.5 cm
Berenice Cutting her Hair
Bibliography:
Guercino. Poesia e sentimento nella pittura del '600, exh. catalogue, curated by D. Mahon, M. Pulini, V. Sgarbi, Rome, 2003-2004, Novara 2003, pp. 234-235; A. Modesti, Elisabetta Sirani: una virtuosa del Seicento bolognese, Bologna 2004, pp. 252-253; B. Bohn, The construction of artistic reputation in Seicento Bologna: Guido Reni and the Sirani, in "Renaissance Studies", 2011, n. 25, 4, pp. 511-537; M. Pulini, Le terre della pittura tra Marche e Romagna, Cesena, Galleria Comunale d’Arte, 25 June - 28 August 2011, Santa Lucia (Cesena), 2011, p. 25; A. Modesti, Elisabetta Sirani 'Virtuosa’. Woman's Cultural Production in Early Modern Bologna, in "Late medieval and Early Modern Bologna", Brepols 2014, n. 22, pp. 151-152 e p. 390; D. Dotti, Donne nell’arte da Tiziano a Boldini, Milan 2020, pp. 54-55
“Donne nell’Arte da Tiziano a Boldini”, Palazzo Martinengo Brescia - 22 January 2022 to 12 June 2022
Matteo Loves
(Cologne, c.1585 – Cento, ante 1647)
Oil on canvas, 91 x 114 cm
Judith and Holopherne
Expertise: Paul Huys Janssen (2014)
Carlo Cignani
(Bologna, 1628 – Forlì, 1719)
Oil on canvas, 270 x 195 cm
Joseph with Potiphar’s Wife
Expertise: Daniele Benati (2010)