Juan Jusepe de Ribera, also called Lo Spagnoletto
(Xàtive, 1591- Naples, 1652)
oil on canvas
86 x 68 cm
Saint Roch
EXPERTISE
Luigi Salerno, written communication
Nicola Spinosa (2014)
Claudio Strinati (2015)
New York Exhibition Lampronti x Petzel
Domenico Remps
(active in Florence in the second half of the 17th century)
oil on canvas
100 x 135 cm
Trompe l'oeil of a Glass Cabinet of Curiosities
COMPARATIVE LITERATURE
M.L. D'Otrange Mastai, Illusion in art: Trompe l'oeil, a history of pictorial illusionist, New York, 1975;
A. Giusti in A. Giusti, P. Mazzoni, A. Pampaloni Martelli, Il museo dell'Opificio delle Pietre Dure di Firenze, Milan 1978, pp. 335-336, tav.510;
J.Muylle in Inganni ad arte, meraviglie del Trompe-l'oeil dall'antichità al contemporaneo, exh. cat. ed by A. Giusti, Firenze, Palazzo Strozzi, 16th October 2009-24th January 2010, Florence 2009, pp. 75-80;
M.Betti, C. Brovadan, per il Gran Principe Ferdinando: tre opere del museo dell'Opificio delle Pietre Dure e alcuni cenni sul suo gusto per le "arti minor", in OPD restauro, 24, 2012, pp.263-272
Giovanni Paolo Panini
(Piacenza, 1691- Rome, 1765)
Oil on canvas, 55 x 41 cm
Capriccio with the Arch of Constantine
Signed J.P.P. on the stone of the lower right
LITERATURE
Il Settecento Italiano, exhibition catalogue, Venice, Palazzo delle Biennali, 18th July- 10th October 1929, p.31, n.10
G. Fiocco, La pittura veneziana alla mostra del Settecento in Rivista della città di Venezia, n.8-9 agosto - settembre 1929, p.24
F. Arisi, Giovanni Paolo Panini e i fasti della Roma nel '700, Rome, 1986, tav. 197, e 440 (n.420)
G. Sestieri, Il capriccio architettonico in Italia nel XVII e XVIII secolo, Rome, 2015, vol.3, p.103, fig.170
EXHIBITION
Il Settecento Italiano, Venice, 1929
Fede Galizia
(Milan, 1578-1630)
Oil on canvas, 37 x 45.5 cm
Still life with fruit bowl with plums and figs, and two jasmines on a table
LITERATURE
L.Salerno, La natura morta italiana, Rome, 1984, p.60, cat. 15.4
G.Sestieri, Italiana and European Still lives from XVI to XVIII century, exhibition catalogue (29th March - 12th May 1990), Galleria Cesare Lampronti, Rome, 1990, pp. 8-10
Ippolito Caffi
(Belluno, 1809- Lissa, 1866)
Oil on canvas, 68 x 93 cm
Carnival in Rome, the Moccoletti
signed "CAFFI" on the step in the lower right corner
EXPERTISE
Annalisa Scarpa (2020)
Master of the Acquavella Still-Life
(active in Rome, 1615-1640)
Oil on canvas, 95 x 128.5 cm
Still life with apples, pears, and peaches on a plinth with classical motifs
EXPERTISE
Federico Zeri (1998)
Andrea G. De Marchi (2015)
Master of the Acquavella Still-Life
(active in Rome, 1615-1640)
Oil on canvas, 95 x 128.5 cm
Still life with peaches in a wicker basket and a boy
EXPERTISE
Federico Zeri (1998)
Andrea G. De Marchi (2015)
Master of Hartford
(active in Rome from the 1590s to the 1610s)
Oil on canvas, 120 x 167 cm
Still life with Fruit, Vegetables, and a Glass Vase of Flowers on a Table Covered by a Carpet
Expertise: Davide Dotti 2023
Antonio Maria Vassallo
(Genoa, c.1620 – Milan, 1664/72)
Oil on canvas, 148 x 200cm
A Cook in her Pantry
Johann Liss
(Oldenburg, 1597 – Verona, 1631)
Oil on canvas, 80.6 x 64.7 cm
Jacob Wrestling with the Angel
Annibale Carracci
(Bologna, 1560 – Rome, 1609)
Oil on paper prepared with brown ink, laid down on canvas, 41 x 28.5 cm
Study of a Male Head
Expertise: Erich Schleier (2006), Daniele Benati (2010), Massimo Pirondini (2010)
Giovanni Francesco Barbieri, called Il Guercino
(Cento, c.1591 – Bologna, 1666)
Oil on canvas, 199 x 97 cm
The Persian Sybil
Expertise: Nicholas Turner (2017)
Artemisia: Wrouw & Macht – Rijksmuseum, Twenthe – 26 September 2021 – 23 January 2022.
Gerrit van Honthorst
(Utrecht, 1590-1656)
Oil on canvas, 107 x 133 cm
Seduction Scene
c.1625
Expertise: Andrea De Marchi (2015)
Bibliography: R. Judson, R. E. O. Ekkart, Gerrit van Honthorst: 1592-1656, Doornspijk, Davaco, 1999, cat. n. 263, p. 264, illustrtated, tav. 152, p. 202; A. G. De Marchi, Lights and Shadows, Carravaggism in Europe, exhibition catalogue, Lampronti Gallery, Londra, 29 June- 31 July 2015, Roma 2015, cat 23, pp. 70-71
Pietro Paolini
(Lucca, 1603-1681)
Oil on canvas, 59.4 x 68.5 cm
Portrait of an Artist at her Easel with a Palette and a Vase of Flowers on a Ledge
Bartolomeo Cavarozzi
(Viterbo, 1587 – Rome, 1625)
Oil on canvas, 65 x 49 cm
Boy Bitten by a Crab
Expertise: Andrea De Marchi (2015)
Bernardo Cavallino
(Naples, 1616-1656)
Oil on canvas, 72 x 59 cm
Allegory of Painting
Expertise by Nicola Spinosa (2013)
Bibliography: Lurie Tzeutschler in Bernardo Cavallino of Naples. 1616-1656, catalogo della mostra, Cleveland 1984, p. 182, fig. 66a; Spinosa, Grazie e tenerezza ‘in posa’. Bernardo Cavallino e il suo tempo 1616-1656, Roma 2013, p. 311, n. 45.1; Spinosa in Da Artemisia a Hackert. La collezione di un antiquario, cat. della mostra, Reggia di Caserta, Foligno 2019, cat. 8 pp. 16-17
Artemisia Gentileschi and Bernardo Cavallino
(Rome, 1593 – Naples, 1653)
(Naples, 1616 - c.1656)
Oil on canvas, 185.2 x 145.4 cm
Bathsheba at her Bath
c. 1636-1638
Expertise: Riccardo Lattuada (2015)
Bibliography: Nicolaci, catalogue entry, 41, in Artemisia Gentileschi: Storia di una passione, R. Contini and F. Solinas (eds.), exh. cat. Palazzo Reale, Milan 2011-2012, p. 228; Nicolaci, catalogue entry 52, in Artemisia, 1593-1654, R. P. Ciardi, R. Contini and F. Solinas (eds.), exh. Cat. Fondation Dina Vierny - Musée Maillol, Paris 2012, pp. 184-185; Spinosa, Grazia e tenerezza in posa: Bernardo Cavallino e il suo tempo 1616-1656 (Rome, 2013), p. 403, ill. A3.a. Lattuada, Unknown paintings by Artemisia in Naples, and new points regarding her daily life and “Bottega’, in Artemisa Gentileschi in a changing light, curated by S. Baker, London – Turnhout, 2015, pp. 203 – 205, fig. 34-39
Artemisia: Wrouw & Macht – Rijksmuseum, Twenthe – 26 September 2021 – 23 January 2022; Artemisia Gentileschi: Storia di una passione, Palazzo Reale, Milan, 22 September 2011 – 29 January 2012, curated by Roberto Contini and Francesco Solinas; Artemisia, 1593-1654; Fondation Dina Vierny - Musée Maillol, Paris, 14 March - 15 July 2012, curated by R. P. Ciardi, R. Contini and F. Solinas.
Giovanni Paolo Panini
(Piacenza, 1691 – Rome, 1765)
Oil on canvas, 98 x 135 cm
Architectural Capriccio with Saint Peter Preaching
Bibliography: F. Arisi, Gian Paolo Panini e i fasti della Roma del 700, Rome 1986, p. 411, cat. 360, 184-185
Antonio Joli
(Modena, 1700 - Naples, 1770)
Oil on canvas, 43.2 x 61
A Capriccio with View of a Portico with Alexander the Great at the Tomb of Achilles
Giovanni Antonio Canal, called Canaletto
(Venice, 1697 - 1768)
Oil on canvas, 130 x 105 cm
View of St. Mark Square from St. Mark Basin
Expertise: Antonio Morassi (written communication); Rodolfo Pallucchini (written communication); B. A. Kowalczyk (2021)
Bibliography: W. G. Constable, Canaletto, seconda edizione a cura di J. G. Links, Volume II, n.459*, pg. 438, pl. 208