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Giovanni Paolo Panini

Giovanni Paolo Panini

(Piacenza, 1691 – Rome, 1765)
Oil on canvas, 218.5 x 263.5 cm
The Consecration of Cardinal Rezzonico in the church of SS. Apostoli, Rome, 19 March 1743 Bibliography: Stato attivo e passivo dell’eredità del fu K.R. e Proc.r Ludovico Rezzonico. Inventario delli quadri, 2 January 1786, Archivio di Stato di Venezia. Giudici di Petizion. Inventarj B.481/7, E. Noè, 'Rezzonicorum cineres. Ricerche sulla collezione Rezzonico', in Rivista dell'Istituto nazionale di archeologia e storia dell'arte, 3, 1980, p. 257 (as hanging in 'secondo Portico ove abita il Fabis’); Moschini, 'Un'Opera Inedita di Gian Paolo Panini', in Bollettino d'Arte, VIII, April 1929, pp. 460-64, reproduced fig. 1; Fermi, 'Fortune e infortuni recenti di G. P. Pannini', in Bollettino Storico Piacentino,1931, f. 2, p. 64; Arisi, Gian Paolo Panini, Piacenza 1961, pp. 174-75; Arisi, Giovanni Paolo Panini, 1691-1765,exh. cat., Milan 1993, p. 160; Mattiti, 'La cerimonia di consacrazione del Cardinal Rezzonico nella chiesa dei Santi Apostoli', in Strenna dei Romanisti, April 1997, pp. 327-42; Mattiti, La Festa a Roma, exh. cat., Rome 1997, cat. no. A27, reproduced p. 222; R. Marshall, ‘G. P. Panini, “The Consecration of Monsignor Giuseppe Pozzobonelli as Archibishop of Milan in the Church of SS. Ambrogio e Carlo al Corso”, Como, Museo Civico’, in The Triumph of the Baroque: Architecture in Europe 1600-1750, H. Millon (ed.), exh. cat., Milan 1999, p. 595  
Rome, Palazzo Venezia, La Festa a Roma, 23 May - 15 September 1997, no. A27
Alessandro Magnasco & Antonio Francesco Peruzzini

Alessandro Magnasco & Antonio Francesco Peruzzini

(Genoa, 1667-1749) and (Ancona, 1643/46 – Milan, 1724)
A pair, oil on canvas, 117 x 175.5 cm
A Wooden Landscape with Wayfarers Resting by a Stream, a Fortified Castle in the Background Expertise: Anna Orlando (2011)
Alessandro Magnasco & Antonio Francesco Peruzzini

Alessandro Magnasco & Antonio Francesco Peruzzini

(Genoa, 1667-1749) and (Ancona, 1643/46 – Milan, 1724)
A pair, oil on canvas, 117 x 175.5 cm
A Wooden Landscape with Wayfarers and Washerwomen by a Stream, a Fortified Town in the Background Expertise: Anna Orlando (2011)
Andrea Locatelli

Andrea Locatelli

(Rome, 1695-1741)
Oil on canvas, 86.5 x 173 cm
A Pair of Landscape with Shepherds near a Stream
Andrea Locatelli

Andrea Locatelli

(Rome, 1695-1741)
Oil on canvas, 64.5 x 47 cm
View of the Church of Sant'Agnese with the Mausoleum of Santa Costanza
Hendrik Frans van Lint, called Lo Studio

Hendrik Frans van Lint, called Lo Studio

(Antwerp, 1684 - Rome, 1763)
Oil on canvas, 154 x 198 cm
An Italianate Landscape with the Nurture of Jupiter and a Goatherd Leading his Flock, a Capriccio of the Colosseum in the Background

Signed and dated «H. van lint d.to Studio fe. Roma 1737»

Bibliography: Coekelberghs, H.-F- Van Lint (Anvers, 1684 – Rome, 1763), copiste et imitateur de Claude Lorrain, in “Revue des Archéologues et Historiens d’Art de Louvain”, IV, 1971, pp. 185-197, figs. 1 and 2; Coekelberghs, Les peintres belges à Rome de 1700 à 1830, 1976, pp. 105-107, figs. 80 and 81; Busiri Vici, Peter, Hendrick e Giacomo Van Lint. Tre pittori di Anversa del ‘600 e ‘700 lavorano a Roma, 1987, pp. 172-173, figs. 204 and 205  
Hendrik Frans van Lint, called Lo Studio

Hendrik Frans van Lint, called Lo Studio

(Antwerp, 1684 - Rome, 1763)
Oil on canvas, 154 x 198 cm
The Mill, or Isaac’s Bride Bibliography: Coekelberghs, H.-F- Van Lint (Anvers, 1684 – Rome, 1763), copiste et imitateur de Claude Lorrain, in “Revue des Archéologues et Historiens d’Art de Louvain”, IV, 1971, pp. 185-197, figs. 1 and 2; Coekelberghs, Les peintres belges à Rome de 1700 à 1830, 1976, pp. 105-107, figs. 80 and 81; Busiri Vici, Peter, Hendrick e Giacomo Van Lint. Tre pittori di Anversa del ‘600 e ‘700 lavorano a Roma, 1987, pp. 172-173, figs. 204 and 205
Antonio Joli

Antonio Joli

(Modena, 1700 - Naples, 1770)
Oil on canvas, 63.8 x 90.8
Rome, A Game of ‘Palla a Bracciale’ in the Gardens of Palazzo Barberini

Inscribed on the verso: A hand-written old label, dating to the first half of the 19th century reads: «Green drawing room Pictures […] / Picture of the Drago Palace & Barberini / Palace gardens in foreground – game of Pal[la] / going on – by Vanvitelli delle […]hi[…] / 1736 Bought in Rome by Mr & Mrs H. Ol[mius?] / […]05 as a souvenir of their stay in the Del Dra[go]/ [w]hich was the American Embassy»

Expertise: Ralph Toledano (2011)
Antonio Joli

Antonio Joli

(Modena, 1700 - Naples, 1770)
Oil on canvas, 75 x 129.5
A View of the Gulf of Pozzuoli with the Island of Nisida Expertise: Spinosa (2012), Toledano (2012) Bibliography: Manzelli, Antonio Joli, opera pittorica, Venice 2000, p. 82, no. 45 and pp. 86-87, no. 69, illustrated tav. XXI and XXIII
Antonio Joli

Antonio Joli

(Modena, 1700 - Naples, 1770)
Oil on canvas, 75 x 129.5
Naples, A View of the City from Santa Lucia Expertise: Spinosa (2012), Toledano (2012) Bibliography: Manzelli, Antonio Joli, opera pittorica, Venice 2000, p. 82, no. 45 and pp. 86-87, no. 69, illustrated tav. XXI and XXIII
Antonio Joli

Antonio Joli

(Modena, 1700 - Naples, 1770)
Oil on canvas, 43.2 x 61
A Capriccio with View of a Portico with Alexander the Great at the Tomb of Achilles
Jakob Philipp Hackert

Jakob Philipp Hackert

(Prenzlau 1737 – 1807 San Pietro di Careggi)
Tempera applied on canvas, 154x341 cm
The Gulf of Pozzuoli Prestigious Provenance Bibliography: Nordhoff, Jakob Philipp Hackert’s Gulf of Pozzuoli for the Casino of Prince Aldobrandini, vol 146, n. 1212 (March 2004), pp. 174-176
Jakob Philipp Hackert

Jakob Philipp Hackert

(Prenzlau, 1737 – San Pietro di Careggi, 1807)
Oil on canvas, 134.7 x 221.6 cm
The Port of Salerno from Vietri

Inscribed, signed and dated Porto di Salerno / Filippo Hackert dipinse 1797 (lower centre)

Bibliography: Nordhoff and H. Reimer, Jakob Philipp Hackert 1737-1807: Verzeichnis seiner Werker, Berlin, 1994, p. 131, no. 272.
Francesco Guardi

Francesco Guardi

(Venice, 1712-1793)
Oil on canvas, 42 x 84 cm
Padua, View of Prato della Valle Expertise: Succi (2018);  Bozena Kowalczyk (2018)
Leonardo Coccorante

Leonardo Coccorante

(Napoli 1680-1750?)
Oil on copper, 30.9x73.5 cm
A Mediterranean Harbour with Ship in a Storm  
Leonardo Coccorante

Leonardo Coccorante

(Naples, 1680-1750?)
Oil on copper, 30.9 x 73.5 cm
A Fortified Mediterranean Harbour with Ship at Bay
Luca Carlevarijs

Luca Carlevarijs

(Udine, 1663 - Venice, 1730)
Oil on canvas, 131.5 x 292.5 cm

Capriccio with a Mediterranean Seaport with Austrian Shipping, Merchants and Sailors on Quays, a Company of Militia near the Arch of Constantine and Castel Sant’Angelo beyond (Allegory of Peace)

Signed with initials << L.C.>> in the lower right

Bibliography: Sestieri, Il capriccio architettonico in Italia nel secolo XVII e XVIII, Rome 2015, vol. I, pp. 158-159, figg. 9-10; Succi, Carlevarijs, Gorizia 2015, pp. 238, 240-242, figg. 100, 101
Luca Carlevarijs

Luca Carlevarijs

(Udine, 1663 - Venice, 1730)
Oil on canvas, 131.5 x 292.5 cm

A Sea Battle with Sardinian and Venetian Warships and Sardinian and Egyptian Galleys (?) in the Foreground (Allegory of War)

Bibliography: Sestieri, Il capriccio architettonico in Italia nel secolo XVII e XVIII, Rome 2015, vol. I, pp. 158-159, figg. 9-10; Succi, Carlevarijs, Gorizia 2015, pp. 238, 240-242, figg. 100, 101.
Giovanni Antonio Canal, called Canaletto

Giovanni Antonio Canal, called Canaletto

(Venice, 1697 - 1768)
Oil on canvas, 130 x 105 cm
View of St. Mark Square from St. Mark Basin Expertise: Antonio Morassi (written communication); Rodolfo Pallucchini (written communication); B. A. Kowalczyk (2021)
Bibliography: W. G. Constable, Canaletto, seconda edizione a cura di J. G. Links, Volume II, n.459*, pg. 438, pl. 208